Women’s Art
Alison, Jane, and Coralie Malissard, eds., Modern Couples: Art, Intimacy and the Avant-Garde (Munich, London, New York: Barbican ; Prestel Publishing Ltd, 2018)
Boisseau, Tracey Jean, ‘Forging the Transnational out of the International’, in Boussahba-Bravard, Myriam, and Rebecca Rogers, eds., Women in International and Universal Exhibitions, 1876-1937 (Abingdon, England: Routledge, 2019)
Boussahba-Bravard, Myriam and Rebecca Rogers, eds., Women in International and Universal Exhibitions, 1876-1937 (Abingdon, England: Routledge, 2019)
Bownes, David, and Oliver Green, eds., Poster Girls: A Century of Art and Design (London: London Transport Museum, 2017)
Broude, Norma, and Mary D. Garrard, eds., Feminism and Art History: Questioning the Litany, (New York: Harper & Row, 1982)
Broude, Norma and Mary D. Garrard, eds., Reclaiming Female Agency: Feminist Art History after Postmodernism (Berkeley: University of California Press, 2005)
Broude, Norma and Mary D. Garrard, eds., The Power of Feminist Art: The American Movement of the 1970s, History and Impact (New York: H.N. Abrams, 1994)
Chadwick, Whitney, Women, Art, and Society, (London: Thames & Hudson, 2012)
Chalmers, F. Graeme, Women in the Nineteenth-Century Art World: Schools of Art and Design for Women in London and Philadelphia (Westport, Conneticut, London: Greenwood Press, 1998)
Clarke, Meaghan and Francesco Ventrella, ‘Women’s Expertise and the Culture of Connoisseurship’, Visual Resources, 33:1-2, 1-10. https://www.tandfonline.com/doi/full/10.1080/01973762.2017.1308623 [accessed 23/09/22]
Clarke, Meaghan, Critical Voices: Women and Art Criticism in Britain, 1880-1905 (Aldershot, England & Burlington: Ashgate, 2005)
Clayton, Ellen C., English Female Artists, 2 vols (London: Tinsley Brothers, 1876)
Clement, Clara Erskine, Women in the Fine Arts: From the Seventh Century B. C. to the Twentieth Century A. D. (Boston and New York: Houghton, Mifflin and Company, 1904)
Collet, Penelope Josephine, Women Contesting the Mainstream Discourses of the Art World (Lewiston, N.Y: The Edwin Mellen Press, 2004)
Collischan Van Wagner, Judy, Women Shaping Art: Profiles of Power (New York: Praeger, 1984)
Corn, Wanda M., Women Building History: Public Art at the 1893 Columbian Exposition (Berkeley: University of California Press, 2011)
Deepwell, Katy, ed., New Feminist Art Criticism (Manchester & New York: Manchester University Press & St. Martin’s Press, 1995)
Deepwell, Katy, ed., Women Artists and Modernism (Manchester, New York: Manchester University Press and St. Martin’s Press, 1998)
Dimitrakaki, Angela and Lara Perry, ‘This Moment: A Dialogue on Participation, Refusal and History Making’ in Victoria Horne and Lara Perry, eds., Feminism and Art History NOW: Radical Critiques of Theory and Practice (London New York: I.B. Tauris, 2017), 124-141
Eckert, Penelope, ‘The Good Woman’ in Robin Tolmach Lakoff, Language and Woman’s Place: Text and Commentaries, Mary Bucholtz ed., (New York: Oxford University Press, 2004) 165-170
Ellet, Elizabeth Fries, Women Artists in All Ages and Countries (New York: Harper & Brothers, 1859)
Fortune, Jane, Invisible Women: Forgotten Artists of Florence (Florence, Italy: The Florentine Press, 2010)
Foster, Alicia, Radical Women: Jessica Dismorr and Her Contemporaries (London: Lund Humphries and Pallant House Gallery, 2019)
Foster, Alicia, Tate Women Artists (London & New York: Tate Publishing, 2004)
Frederickson, Kristen, and Sarah E. Webb, eds., Singular Women: Writing the Artist (Berkeley: University of California Press, 2003)
Gabriel, Mary, Ninth Street Women (New York: Little, Brown and Company, 2018)
Gillis, Stacy, and Joanne Hollows, eds., Feminism, Domesticity and Popular Culture (London: Routledge, 2011)
Gørrill, Helen, Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art, eBook (New York: Bloomsbury Visual Arts, 2019)
Greenan, Althea, ‘Feminist Net-work: Digitization and Performances of the Women’s Art Library Slide Collection’ (unpublished PhD Thesis, The University of Brighton, 2017)
Greer, Germaine, The Obstacle Race (London, Book Club Associates, 1980)
Heller, Nancy, Women Artists: An Illustrated History (New York, London, Paris: Abbeville Press, 2003)
Hessel, Katy, The Story of Art without Men, (London: Hutchinson Heinemann, 2022)
Horne, Victoria, and Lara Perry, eds., Feminism and Art History NOW: Radical Critiques of Theory and Practice (London New York: I.B. Tauris, 2017)
Jansen, Christina and Elizabeth Cumming, Modern Masters Women (Edinburgh: Scottish Gallery, 2020)
Lakoff, Robin Tolmach, Language and Woman’s Place: Text and Commentaries, Mary Bucholtz ed., (New York: Oxford University Press, 2004)
Llewellyn, Sacha, ed., Fifty Works by Fifty British Women Artists, 1900-1950 (London: Liss Llewellyn, 2018)
Macel, Christine, ed., Women in Abstraction (New York: Thames & Hudson Inc, 2021)
Madeline, Laurence, Women Artists in Paris, 1850-1900 (New York & New Haven: American Federation of Arts & Yale University Press, 2017)
Marter, Joan M., ed., Women of Abstract Expressionism (Denver, New Haven and London: Denver Art Museum and Yale University Press, 2016)
Massey, Anne, ‘The Mother of Pop? Dorothy Morland and the Independent Group’, Journal of Visual Culture, 12.2 (2013), 262–78. https://doi.org/10.1177/1470412913489865 [accessed 12/03/22]
McCarthy, John D. and Mayer N. Zald, ‘Resource Mobilization and Social Movements’, American Journal of Sociology, 82 (1977): 1212-4 quoted in Leila J. Rupp, ‘Constructing Internationalism: The Case of Transnational Women’s Organizations, 1888-1945’, The American Historical Review, 99.5 (1994), 1571–1600
Montfort, Patricia de and Calvert, Robyne Erica, eds., ‘Still Invisible?’, British Art Studies, 2, 4 April 2016. http://dx.doi.org/10.17658/issn.2058-5462/issue-02/still-invisible [accessed 01/08/16].
Montfort, Patricia de, Louise Jopling: A Biographical and Cultural Study of the Modern Woman Artist in Victorian Britain (London & New York: Routledge, Taylor & Francis Group, 2017)
Nochlin, Linda, Women, Art, and Power and Other Essays (New York: Harper & Row, 1989)
Nottingham Castle Museum, ed., The Women’s Art Show, 1550-1970 (Nottingham, England: Nottingham Castle Museum, 1982)
Parker, Rozsika, and Griselda Pollock, Old Mistresses: Women, Art, and Ideology (London: Pandora Press, 1987)
Parker, Rozsika, The Subversive Stitch: Embroidery and the Making of the Feminine (London & New York: I.B. Tauris, 2010)
Pollock, Griselda, ‘Feminism, Femininity and the Hayward Annual Exhibition 1978’, Feminist Review, 2 (1979), 33–55
Pollock, Griselda, Differencing the Canon: Feminist Desire and the Writing of Art’s Histories (London & New York: Routledge, 1999)
Pollock, Griselda, Killing Men & Dying Women (Manchester: Manchester University Press, 2022)
Pollock, Griselda, Vision and Difference: Feminism, Femininity and Histories of Art, (London: Routledge, 2006)
Reilly, Patricia L., ‘The Taming of the Blue’ in N. Broude and M. Garrard, eds., The Expanding Discourse: Feminism and Art History (New York: IconEditions, 1992), 87-100
Remy, Michel, ‘Eileen Agar, Joseph Bard and Paul Nash’ in J. Alison and C. Malissard, eds., Modern Couples: Art, Intimacy and the Avant-Garde (Munich, London, New York: Barbican, Prestel Publishing Ltd, 2018)
Rudd, Natalie, ed., Breaking the Mould: Sculpture by Women since 1945 (London: Hayward Gallery Publishing, 2020)
Rupp, Leila J., ‘Constructing Internationalism: The Case of Transnational Women’s Organizations, 1888-1945’, The American Historical Review, 99.5 (1994), 1571–1600
Salomon, Nanette, ‘The Art Historical Canon: Sins of Omission’, in (En) Gendering Knowledge: Feminists in Academe, ed. by Joan Hartman and Ellen Messer-Davidow (Knoxville: University of Tennessee Press, 1991), 222–36
Sutherland Harris, Ann and Linda Nochlin, Women Artists: 1550-1950 (Los Angeles & New York: Los Angeles County Museum of Art, 1976)
Upshall, Agnes, ed., New Hall Art Collection: Murray Edwards College, 4th edn (Cambridge, England: University of Cambridge, 2015)
Vincentelli, Moira, Women and Ceramics: Gendered Vessels (Manchester & New York, Manchester University Press, 2000), 188
Waller, Susan, Women Artists in the Modern Era: A Documentary History (London & Metuchen, N.J.: Scarecrow Press, 2002)
Wickham, Annette, ‘A “Female Invasion” 250 Years in the Making’ (Royal Academy of Arts, 2018). https://www.royalacademy.org.uk/article/magazine-ra250-female-invasion-women-at-the-ra [accessed 01/05/21]