WIAC and Women’s Art Groups
Alujević, Darija, and Dunja Nekić, ‘Women’s Art Club and Women’s Group Exhibitions in Zagreb from 1928 until 1940’, Artl@s Bulletin, 8.1, Article 11 (2019), 166–82
Baile de Laperrière, Charles, ed., The Society of Women Artists Exhibitors, 1855-1996, 4 vols (Calne, England: Hilmarton Manor Press, 1996)
Birnbaum, Paula, ‘The Exhibitions of the Femmes Artistes Modernes (FAM), Paris, 1931-38’, Artl@s Bulletin, 8.1 (2019), Article 10, 152–65
Birnbaum, Paula, Women Artists in Interwar France: Framing Femininities (London, UK: Routledge, 2016)
Brockington, Grace, ‘“A World Fellowship”: The founding of the International Lyceum Club for Women Artists and Writers’, Transnational Associations, 1, March 2005, 15–22
Brockington, Grace, ed., Internationalism and the Arts in Britain and Europe at the Fin de Siècle (Oxford & New York: Peter Lang, 2009)
Brockington, Grace, ‘Women’s Art Clubs and their Internationalist Aspirations at the Fin de Siècle’ unpublished conference paper given at ‘Internationalism and the Arts’, Magdalene College, Cambridge, July 2006. Women’s Art Library Archive, Goldsmiths University, London.
Brown, Karen E., ed., Women’s Contributions to Visual Culture, 1918-1939 (London & New York: Routledge, 2016)
Brown, Stephanie, and Sara Dodd, ‘The Society of Female Artists and the Song of the Sisterhood’, in Barlow, Paul, and Colin Trodd, eds., Governing Cultures: Art Institutions in Victorian London (Aldershot, England; Burlington, VT: Ashgate, 2000), pp. 85–97
Bruce, Anne, The Women’s International Art Club: 1899-1971, WIAC printed pamphlet, 1971. Women’s Art Library/2/2/7/5/6.
Burkhauser, Jude, ed., Glasgow Girls: Women in Art and Design, 1880-1920 (Edinburgh: Canongate, 1990)
Cherry, Deborah, Painting Women: Victorian Women Artists (London & New York: Routledge, 1993)
Cherry, Deborah, and Janice Helland, Local/Global: Women Artists in the Nineteenth Century (London & New York: Routledge, 2017)
Deepwell, Katy, ‘A History of the Society of Women Artists’, in The Society of Women Artists Exhibitors, 1855-1996, ed. by Charles Baile de Laperrière, ed., 4 vols (Calne, England: Hilmarton Manor Press, 1996), i, xvii–xxxi
Deepwell, Katy, Women Artists between the Wars: A Fair Field and No Favour (Manchester: Manchester University Press, 2010)
Dossin, Catherine, and Hanna Alkema, ‘Women Artists Shows·Salons·Societies: Towards a Global History of All-Women Exhibitions’, Artl@s Bulletin, 8.1 Article 19, 5–13
Garb, Tamar, ‘Revising the Revisionists: The Formation of the Union Des Femmes Peintres et Sculpteurs’, Art Journal, 48.1 (1989), 63
Garb, Tamar, Sisters of the Brush: Women’s Artistic Culture in Late Nineteenth-Century Paris (New Haven & London: Yale University Press, 1994)
Garrett, Miranda, and Zoë Thomas, eds., Suffrage and the Arts: Visual Culture, Politics and Enterprise (Lonon & New York: Bloomsbury Visual Arts, 2020)
Gaze, Delia, ed., Dictionary of Women Artists, 2 vols (London & Chicago: Fitzroy Dearborn Publishers, 1997)
Gordon, Peter, and David Doughan, Dictionary of British Women’s Organisations, 1825-1960 (London & Portland, Oregon: Woburn Press, 2001)
Gotsi, Glafki, ‘A “Guarantee of Clustered Energy and Collective Promotion”: The Association of Greek Women Artists and Its Exhibitions in the 50s and 60s’, Artl@s Bulletin, 8.1, Article 13 (2019), 197–208
Gray, Sara, British Women Artists: A Biographical Dictionary of 1,000 Women Artists in the British Decorative Arts (Oakamoor, England: Dark River, 2019)
Gray, Sara, The Dictionary of British Women Artists (Cambridge: Lutterworth Press, 2009)
Helland, Janice, Professional Women Painters in Nineteenth-Century Scotland: Commitment, Friendship, Pleasure (London & New York: Routledge, 2000)
Heller, Jules, and Nancy Heller, eds., North American Women Artists of the Twentieth Century: A Biographical Dictionary (New York: Garland Publishing, 1995)
Huneault, Kristina, and Janice Anderson, eds., Rethinking Professionalism: Women and Art in Canada, 1850-1970 (Montréal: McGill-Queen’s University Press, 2012)
Iorino, Chiara, ‘“Non Più Cenerentole!” The Società Delle Artiste at the 1906 Mostra Nazionale Di Belle Arti in Milan’, Artl@s Bulletin, 8.1, Article 5, 2019, 84-92
Jakubowska, Agata, and Katy Deepwell, eds., All-Women Art Spaces in Europe in the Long 1970s (Liverpool: Liverpool University Press, 2018)
Jakubowska, Agata, ‘Exhibiting Women’s Art in Post-War Europe’, Artl@s Bulletin, 8.1, Article 16, 2019, 236–43. https://docs.lib.purdue.edu/artlas/vol8/iss1/16/ [accessed 18/02/2022].
Johnson, Julie M., The Memory Factory: The Forgotten Women Artists of Vienna 1900 (West Lafayette, Ind: Purdue University Press, 2012)
Lewthwaite Dewar, De Courcy, History of The Glasgow Society of Lady Artists’ Club (Glasgow: Robert Maclehose & Co Ltd and the University Press, Glasgow, 1950)
Lombardi, Francesca. ‘L’Esposizione Internazionale Femminile di Belle Arti’ (Torino, 1910-1911; 1913). Note su genere, arte e professione in Italia all’inizio del XX secolo’, Artl@s Bulletin 8.1, 2019, Article 2, 39-54
Mallory, Sarah, ed., Uninvited: Canadian Women Artists in the Modern Moment (Vancouver: Figure 1 Publishing, 2021)
Montfort, Patricia de, Louise Jopling: A Biographical and Cultural Study of the Modern Woman Artist in Victorian Britain (London & New York: Routledge, Taylor & Francis Group, 2017)
Nałęcz, Halima, Three Decades of Private Views at the Drian: 1957-1987, Limited edition of 1000 (London: Drian Galleries, 1986)
Nunn, Pamela Gerrish, Victorian Women Artists (London: Women’s Press, 1987)
Petteys, Chris, Dictionary of Women Artists: An International Dictionary of Women Artists Born before 1900 (Boston, Mass: G.K. Hall, 1985)
Prieto, Laura R., At Home in the Studio: The Professionalization of Women Artists in America (Cambridge, Mass: Harvard University Press, 2001)
Richmond, Una, ‘Strength in Unity: Post-war sculpture in the Women’s International Art Club, 1950–1970’, Sculpture Journal, Volume 31, Issue 1, 2 March 2023. https://www.liverpooluniversitypress.co.uk/doi/10.3828/sj.2023.32.1.02 [accessed 11/08/23]
Richmond, Una, ‘Inside the Invisible: The Women’s International Art Club, 1974’, 2016, (unpublished) Masters Dissertation, University of Sussex.
Rollig, Stella, and Sabine Fellner, eds., City of Women: Female Artists in Vienna 1900-1938 (Munich, London & New York: Prestel, 2019)
Rose, Pauline, Working Against the Grain: Women Sculptors in Britain c.1885-1950 (Liverpool: Liverpool University Press, 2020)
Spalding, Frances, 20th Century Painters and Sculptors (Woodbridge, Suffolk: Antique Collectors’ Club, 1976)
Strang, Alice and National Galleries of Scotland, ed., Modern Scottish Women: Painters and Sculptors 1885-1965 (Edinburgh: Trustees of the National Galleries of Scotland, 2015)
Thomas, Zoë, ‘“I loathe the thought of suffrage sex wars being brought into it”: Institutional conservatism in early twentieth-century women’s art organisations’ in Miranda Garrett and Zoë Thomas, eds. Suffrage and the Arts: Visual Culture, Politics and Enterprise (London & New York: Bloomsbury Visual Arts 2020), 23-42
Thomas, Zoë, Women Art Workers and the Arts and Crafts Movement (Manchester: Manchester University Press, 2020)
Thompson, Allison, ‘A Worthy Place in the Art of Our Country: The Women’s Art Association of Canada 1887-1987’ (unpublished Masters, Carleton University, 1989)
Ventrella, Francesco, ‘Temporalities of the “Feminaissance”’ in Victoria Horne and Lara Perry, eds., Feminism and Art History NOW: Radical Critiques of Theory and Practice (London New York: I.B. Tauris, 2017), 207–29
Vanaga, Baiba, ‘The Exhibition of Former Students of the Elise von Jung-Stilling Drawing School in Riga in 1904’, Artl@s Bulletin, 8.1, 2019, Article 6, 94-107
Waters, Grant, Dictionary of British Artists Working 1900-1950 (2 vols) (Eastbourne: Eastbourne Fine Art, 1975)
Wykes-Joyce, Max, Drian Galleries: A Short History (London: K. IZUMI Art Publications, 2009)
Yeldham, Charlotte, Women Artists in Nineteenth-Century France and England, 2 vols (London & New York: Garland Publishing, 1984)
Yu, Mengting, London’s Women Artists, 1900-1914: A Talented and Decorative Group (Singapore: Springer, 2020)