WIAC Reviews
An Outsider, ‘Women’s International Art Club’ in Antoinette M. MacKenzie, ed., The Englishwoman’s Review of Social and Industrial Questions, 1907-1908 (New York & London: Garland, 1985) 124-126
Anon., ‘A New Art Publication’, St James’s Gazette, 16 March 1900, 6
Anon., ‘Drawings and Watercolours by Famous Hands: Women’s International Art Club’, The Times, 3 March 1960, 4
Anon., ‘Art Notes’, Illustrated London News, 22 December 1906, 954
Anon., ‘London Art Notes’, International Art Notes, 2, 1900, 33–34
Anon., ‘Artistic Inspirations’, Birmingham Gazette, 22 October 1935, 6.
Anon., ‘New Burlington Gallery’, Art News & Review, 5.3 (1953), 4
Anon., ‘Our London Correspondence’, The Manchester Guardian, 7 March 1900, 5
Anon., ‘Our London Letter: The Amazons Attack’, Eastern Daily Press, 17 February 1960, 4
Anon., ‘Our London Letter: Women at work’, Eastern Daily Press, 17 January 1963, 4
Anon., ‘Parliament’, The Illustrated London News, 24 March 1900, 393
Anon., ‘Sprightly Show’, The Sunderland Echo, 26 November 1951, 7
Anon., ‘The Flower Girl’s Face Is Turned to the Wall’, Birmingham Gazette, 20 April 1953, 5
Anon., ‘The Grafton Galleries’, The Morning Post, 7 March 1900, 8
Anon., ‘The Paris Club: International Society of Women Artists’, The Queen, 10 March 1900, 385
Anon., ‘The Woman Painter in the Modern Age’, The Times, 7 February 1961, 14
Anon., ‘These Painters Are No Suffragettes’, The Times, 24 April 1967, 7
Anon., ‘Two Picture Galleries’, The Standard, 7 March 1900, 4
Anon., ‘Une Exposition féminine à Londres’, La Fronde, 21 March 1901, p. 1. https://gallica.bnf.fr/ark:/12148/bpt6k6704317f/f1.item.zoom [accessed 26/06/22]
Anon., ‘Women Artists’ Gay and Colourful Show’, The Times, 27 February 1964, 5
Anon., ‘Women Artists’ Work on Show’, The Tatler, 30 March 1955, 667.
Anon., ‘Women of the World’, Art News & Review, 6.2 (1954), 10
Anon., ‘Women Painters and Sculptors’, The Times, 12 February 1954, 6
Anon., ‘Women Painters’ Exhibition’, The Tamworth Herald, 16 July 1949, 5
Anon., ‘Women’s International’, Connoisseur, New York, 75.297 (1926), 64
A woman correspondent, ‘A London Diary: Pictures from Italy’, Eastern Daily Press, 10 March 1939, 13
B.D., ‘Women’s Art Stays Segregated – and Special’, Kensington Post, 27 May 1977, 4
Blakeston, Oswell, ‘Autumn Selection’, Arts Review, 18.17 (1966), 404
Blakeston, Oswell, ‘The Women’s International Art Club’, Arts Review, 26.12 (1974), 408–9
Burland, Cottie, ‘The Women’s International Art Club’, Art News & Review, 7.5 (1955), 7
Burland, Cottie, ‘Women’s International Art Club’, Art News & Review, 10.19 (1958), 14
Butcher, G.M., ‘WIAC Graphic Exhibition’, Art News & Review, 12.17 (1960), 5
Cormack, Robin, ‘WIAC’, Arts Review, 14.1 (1962), 3
Crowdy, Wallace L., ‘Genesis’, International Art Notes, 1, 1900, 1–4
Curtis, John, ‘Women Painters’, Art News & Review, 4.5 (1952), 4–5
Deloro, Fortunée, ‘The Women’s International Art Club Exhibition’, Art News & Review, 19.9 (1967), 165
Denvir, Bernard, ‘Do Women Make Good Artists?’, Daily Herald (London, 26 February 1949), 2
Denvir, Bernard, ‘Women Can’t Paint’, Daily Herald, 19 February 1954, 4
Fielding, Henry, ‘Why the Art Dealers Don’t like Women’, Daily Herald, 18 January 1962, 4
Gasquoine Hartley, Catherine, ‘The Paris Club of International Women Artists’, The Art Journal, 1900, 282
Geddes, Margaret, ‘The Women’s International Art Club’, The Studio, 139.684 (March 1950), 65–71
Gordon, Alastair, ‘Art in the Modern Manner’, Connoisseur, 159.639 (1965), 48–49
Gordon, Cora J, ‘Women’s International Art Club Jubilee Show’, Art News and Review, 2.4 (1950), 4
Hurst, Maud, ‘To the Paris Club’, International Art Notes, 1, 1900, 30–31
MacKenzie, Antoinette M., ed., The Englishwoman’s Review of Social and Industrial Questions, 1907-1908 (New York & London: Garland, 1985)
MacKenzie, Antoinette M., ed., The Englishwoman’s Review of Social and Industrial Questions, 1909-1910 (New York & London: Garland, 1985)
Mapplebeck, John, ‘The Arts Council’s Exhibitions’, The Guardian, 10 December 1960, 5
McIntyre, Raymond, ‘Exhibitions’, The Architectural Review, 1 April 1926, 59, 353
McIntyre, Raymond, ‘Exhibitions’, The Architectural Review, 1 November 1927, 62, 372
McIntyre, Raymond, ‘Exhibitions’, The Architectural Review, 1 April 1928, 63, 377
Mullins, Edwin, ‘Women’s International Art Club’, Art News & Review, 13.1 (1961), 12
Newton, Eric, ‘No Second Sex in Art’, The Guardian, 23 January 1962, 7
Noville, Constance, ‘Feminine Art’, Evening Dispatch (Edinburgh, 8 March 1950), page unknown
Perspex, ‘Current Shows and Comments: The Mood Romantic’, Apollo, 49.290 (1949), 83–84
Peterborough, ‘Feminine Frolics’, The Daily Telegraph, 19 January 1961, 12
Quigley, J, ‘Women’s International Art Club’ in A. M. MacKenzie, ed., The Englishwoman’s Review of Social and Industrial Questions, 1907-1908 (New York & London: Garland, 1985)
Rawson, Philip, ‘The Feminine Angle’, Art News & Review, 11.17 (1959), 9
Reichardt, Jasia, ‘Women’s International Art Club at RBA’, Apollo, 73.431 (1961), 16–19
Rolls, John, ‘What a Flutter: New Venture’, Daily Mirror, 17 February 1960, 2
Rye, Anthony, ‘The Women’s International Art Club’, Art News & Review, 9.19 (1957), 2
Sorrell, Mary, ‘The Feminine Touch’, Art News and Review, 3.6 (1951), 5
Spielmann, M. H., ‘An Artistic Causerie’, The Graphic, 26 August 1899, 275
The Times Art Critic, ‘Exhibition Well Up to Standard’, The Times, 23 January 1962, 13
Wadia, Bettina, ‘Women’s International Art Club’, Arts Review, 15.1 (1963), 6
Wadia, Bettina, ‘Women’s International Art Club’, Arts Review, 16.3 (1964), 6
Wright, Barbara, ‘Sex and Temperament’, Art News & Review, 11.18 (1959), 12
Wright, Barbara, ‘W.I.A.C.’, Art News & Review, 12.3 (1960), 5
Wyke, Samuel, ‘The Herbert Gallery’, The Coventry Evening Telegraph, 15 June 1950, 8
Wykes-Joyce, Max, ‘Women’s International Art Club Graphic 1962’, Arts Review, 14.24 (1962), 8